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Bb king lucille worth

bb king lucille worth

Gibson's leading guitar brand Epiphone has confirmed its worldwide launch of the new B.B. King Lucille model, a perfect replica of his. The guitar is estimated to be worth $80,000 to $100,000. King will forever be associated with his trademark black Gibson guitars, all of which. LOS ANGELES (AP) — Her name was “Lucille,” and in B.B. King's hands she gave The guitar is estimated to be worth $80,000 to $100,000.
bb king lucille worth

B.B. King's 'Lucille' guitar going up for auction

Staff Writer 

Epiphone Releases the B.B. King Lucille in Ebony

At nearly $4K, a new 100-watt Ecstasy is out of reach for a lot of players. But the new Ecstasy Mini, a 30-watt, class-D, solid-state amp that weighs less than four pounds, does a surprisingly great job of capturing the original Ecstasy's essence in a tiny, portable package

 Mini Monster

The Ecstasy Mini comes in a package small enough to be mistaken for a shoebox. Don't be fooled by the diminutive size, though. It's a badass little screamer that can rip heads off. It can also play it cool: Even though it's based on the original Ecstasy's mighty high-gain red channel, the Mini still moves between screaming hot lead tones and near-clean sounds with relative ease.

The control panel is pretty straightforward. There are six chicken-head knobs for volume, presence, treble, middle, bass, and gain. Above the knobs are four mini toggle switches that help you shape the amp's tone and feel in more specific ways. There's a variac mode that approximates the function of a variable voltage transformer—reducing headroom and producing cool takes on Eddie Van Halen's brown sound. A gain switch lets you choose between a plexi-type sound or a modern, ultra-high gain setting, and a mid-frequency switch lets you choose which midrange band (800 Hz, 1.6 kHz, or 3.2 kHz) is shaped with the mid control. A pre-EQ switch, meanwhile, provides three baseline voices ranging from relatively mellow to bright. There's also an effects loop on the back of the amp for patching in effects like reverb and delay. The amp's 24V power supply is universal and the amp can be used anywhere around the world without a step-up transformer.

The Ecstasy Mini's build quality is excellent. Throughout my test—even with the volume and gain cranked—the amp was impressively quiet. With guitar volume at zero, you probably wouldn't even know that a raging amp is sitting idle, ready to pounce.

Lethal Low Gain, Hellacious High Gain

I started my tests in low-gain mode with the gain knob at noon. Even at these less aggressive settings, I could feel the room rattle when I hit an A chord. There's a lot of available volume and single notes really ring with sustain at these settings—particularly when the variac setting is on. The amp is a surprisingly great match for blues-rock and pop-rock at these settings. (I was even compelled to have a go at Steve Lukather's solo and tone from Toto's "Rosanna." It sounded pretty spot-on.)

Even at less aggressive settings, I could feel the room rattle when I hit an A chord.

High-gain settings transform the amp from simply muscular to monstrous, reminding me why the original Ecstasy is so coveted. I tuned my Schecter T-7 7-string's low string down to A and played power chord riffs with the gain around 1 o'clock, the variac off, and tone knobs all at noon. Here, the Ecstasy Mini was razor-sharp and never bb king lucille worth. Picking response feels fast, and even bb king lucille worth open 7th string tones were crisp and tight.

Switching to the variac setting brought a noticeable drop in volume, a bit more warmth, and spongier, more compressed response. In general, I preferred the variac setting for solos. Obviously, it's less well suited for ultra-precise single-note runs and detuned rhythms, but a high-mid boost from the pre-EQ's B2 switch helps solos cut through more effectively without sacrificing too much of the forgiving sag you get via the variac mode.

Time to Clean Up

For a single-channel, high-gain amp, the Ecstasy Mini does a respectable job of generating clean sounds at gigging volume. With the gain knob around 7 o'clock and the mini toggle for gain in low mode, single-coils readily produce cleaner tones at lower guitar volumes. Humbuckers introduce more grit, but you can still hear lots of individual note clarity and effectively move from clean-ish to dirty sounds via picking and volume control dynamics. The amp's dynamic response is impressive at the highest gain settings, too. And though you won't get pure clean tones here, active adjustments of guitar volume make the amp capable of cool, dramatic shifts in mood, tone, and intensity.

The Verdict

Bogner's Ecstasy Mini is versatile for an amp so clearly designed for maximum power. It will sound huge and hang with a loud band when miked through a PA. But you can also stow it in a gig bag as a backup, use it in the studio, or at home if you're tight on space. It may not rival an all-valve 100W Ecstasy for body, richness, and sheer power. But unless you're playing Madison Square Garden, there's no reason it can't cover most of your gigging needs. The Ecstasy Mini is a killer high-gain amp with a street price that's not much more than a pedal. And that combination of power and value makes it pretty hard to beat.


BB King’s 80th birthday Lucille guitar sells at auction for $280,000

B.B. King’s iconic “Lucille” Gibson ES-345 electric guitar has sold at auction for $280,000 - well over its original estimate of $80,000-100,000.

The guitar was the centerpiece of Julien’s Auctions’ Property from the Estate of BB King sale, which featured nearly 600 items owned and used by the legendary bluesman.

As is common knowledge, King bestowed the name Lucille on many guitars over the course of his long career - in fact, just last year Gibson introduced a new Lucille tribute model in Alpine White. 

But the model sold at auction, a black Gibson ES-345 prototype 1 for bb king lucille worth limited edition that was gifted by Gibson to BB King on his 80th birthday, is notable for having served as King’s primary stage guitar in his later years.

Unique touches on the limited edition Lucille include a headstock boasting 'BB King 80' and a mother-of-pearl crown; a pickguard similarly imprinted with a crown and 'BB King' in gold; and custom 'BB' covers on the pickups.

The guitar also came with a hard leather case with 'BB King' embroidered in gold.

The Lucille prototype was just one of many guitar highlights of the Julien’s auction. Other drool-worthy instruments that went under the hammer included a stage-played black 2005 Gibson ES-345 Special Edition Lucille gifted to King to commemorate his 83rd birthday (sold for $43,750); a Gibson ES-355 Stereo model from 1969 ($31,250); a sunburst Gibson Custom model ($25,000); and King's gold-finished "Merry Christmas" Gibson Lucille, featuring a Christmas tree drawing on the body ($25,000).

Head to Julien’s Auctions for more on the Property from the Estate of BB King sale.

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.


When B.B. King stepped on stage, audiences were always mesmerized by the depth of the music he was able to create as a guitar soloist. But for him, it was never a solo act since he was always with Lucille, the name he gave to his guitar back in 1949.

With 15 Grammy wins — his first in 1969 and final in 2008, King was the most influential blues guitarist of a generation. The musician, who died while in hospice care in 2015 at the age of 89, used numerous guitars throughout his career, most of them being a Gibson semi-hollow body ES-355 — but no matter how they differed, he gave them the loving nickname that stemmed from a near-death incident comenity bank williams sonoma his 20s while playing at a venue in Twist, Arkansas.

King ran into a deadly fire to save his guitar

Born September 16, 1925, as Riley B. King, he earned his famous moniker in his early days, working as a disc jockey in Memphis, Tennessee, when he was called the “Beale Street Blues Boy”— eventually shortened to B.B.

The year that he made his first record was the same year he named Lucille at a Twist nightclub. “When we didn't have any other place to play, we were always welcome to play there,” he told record executive and folklorist Joe Smith in an interview later aired on NPR. “Well, it used to get quite cold in Twist, and they used to take something looking like a big garbage pail and set it in the middle of the floor, half-fill it with kerosene. They would light that fuel, bb king lucille worth that's what we used for heat.”

An open fire in the middle of a lively dance floor in wooden building seemed like a recipe for disaster, but King says people respected it, grateful for the heat that it brought. But one night that winter, the worst possible scenario happened: The container was knocked over and the kerosene spilled, causing the fire to spread quickly.

“It was bb king lucille worth burning, so when it spilled, it looked like a river of fire, and everybody ran for the front door, including yours truly,” King continued. “But when I got on the outside, then I realized that I'd left my guitar inside. I went back for it. The building was a wooden building, and it was burning so fast when I got my guitar, it started to collapse around me.”

At the time, his guitar was a small-bodied Gibson L-30 archtop — and he learned the next morning that his risky move to save it could have been a disaster since two people died in the fire. And he also learned that the reason the container had been knocked over was that a fight broke out over a woman.

“I never did meet the lady, but I learned that her name was Lucille,” King explained. “So I named my guitar Lucille and reminded me not to do a thing like bb king lucille worth again. I almost lost my life trying to save the guitar.”

B.B. King's Life in Photos



After the fire, King named all his guitars 'Lucille'

King didn’t just call that first guitar Lucille, he continued to call all of his guitars by the name of the woman he never met throughout his illustrious career.

The “ES” in his choice model of Gibson guitar stands for “Electric Spanish.” He started with the ES-335 and worked his way up to the ES-355 until he collaborated directly with Gibson on a custom edition, officially named “Lucille.” Known for stuffing rags into Lucille to control the amount of feedback, the signature models got rid of the f-holes that were the cause of the issue.

Throughout his time more iterations of “Lucille” guitars came to fruition, like the “Super Lucille” and a version just for King’s 80th birthday, which he played from 2005 until 2009 — when it was stolen.

A few months later, Las Vegas pawn shop guitar trader Eric Dahl called up Gibson because of an unusual “Prototype 1” stamp on a guitar he came across — and he learned that it was King’s exact special edition. “The whole thing was covered in sweat. The strings were nasty,” Dahl told Gibson, according to Rolling Stone.

The guitar is expected to be worth between $80,000 and $100,000 when it goes up for auction in September 2019 by Beverly Hills’ Julien’s Auctions.

He wrote a 10-minute song about his love for Lucille

King reinforced the importance of the Lucille name to him in another way too — by naming his 1968 nine-song 15th album simply bb king lucille worth, along with a 10-minute-and-16-second title track by the name.

The lyrics recount the story of how he “met” Lucille — in essence also capturing his life story — starting with the words, “The sound that you’re listening to is from guitar that’s named Lucille / I’m very crazy about Lucille / Lucille took me from the plantation or you might say brought me fame.” Born the son of a sharecropper in Indianola, Mississippi, the words show his appreciation for the life journey that music brought him.

He also goes on to explain how “Lucille practically saved my life two or three times,” recounting both the nightclub incident as well as a car accident, where the automobile flipped and Lucille held up the vehicle, sparing his life.

While the world looks to King as one of music’s greatest of all time, his eyes were always focused on the instrument that allowed him to pave such an essential place in blues history. As he says in the song, “I don't think I american express pay it plan it just talk enough about Lucille / Sometimes, when I'm blue, seems like Lucille tries to help me call my name. When things are bad with me, I can always… depend on Lucille.”

Gibson BB King Custom ( 1980 -1988 )

bb king playing guitarBB King has marveled many guitar players throughout the years with his short hard bending blues licks and scorching blues chops that can be imitated but not duplicated .

Gibson owes a great deal of their success on their es models to the blues mansince the late 50s and 60s, bb king has played on numerous es gibson guitars bb king lucille worth es-5, es-335. .etc )

thus giving them a great deal of exposure until both gibson and bb king decided to produce an official line of gibson electric guitars bearing the bb king name .

In 1980 Gibson Introduced the gibson bb king customit had the lucille logo on the peghead2 pick upsgold plated partsvari tone switch and were made in ebony or cherry finishes .

Gibson stopped production in 1988. From then on the guitar was renamed bb king lucille.

Gibson BB King Lucille ( 1988 - present )

GIBSON BB KINGIn 1988 to present gibson continues production on the bb king lucille which was called bb king custom from 1980 to 88. Still has the same featureslucille on pegheadvari tone ,multibound2 pickups and gold plated parts .

At the beginning these guitars were also made in ebony and cherry color and then started adding more colors such as black.

Gibson BB King Standard ( 1980-1985 )

In 1980 Gibson also introduced the bb king standardwhich had the same features like the gibson lucille but with stereo electronics and chrome plated parts instead of gold hardware.

In 1985 The gibson bb king standard production ended. They came in 2 colors - " cherry or ebony ".

Vintage Price Value For 2008 :
1980 - 1988 > $1700 to $2000 ( custom )
1980 - 1985 > $1600 to $1900 ( standard )
1988 - 1999 > $1800 to $1900 ( lucille )

guitar price guideAvg Upward Trend Of 6% a Year since 2000

Note : Gibson also introduced the BB King ES-335 "Lucille" guitar in 2006only a limited edition of 80 guitars were made and are valued today ( 2007 ) at $4900 to $5800.


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